“Blue Gold” is a performative collage composed of fragments from earlier choreographies and several new scenes, creating a personal and patchwork-like portrait of the artist – the main creator behind the universe of the Warsaw-based HOTELOKO Company. Agata Życzkowska’s solo moves along the edge of madness, absurdity, and melancholy, becoming both an intimate and universal search for the identity of a woman-artist who continually transforms her body, movement language, and personal biography. The performance consciously plays with the convention of a “greatest hits” show, but instead of offering a nostalgic return to the past, it presents a bold and energetic remix – filtered through the current life moment and emotional state. It’s a physical journey in which an experienced body still pulses with an irresistible urge to live. The sequins worn by the artist are not just decorations – they are armor, stories, traces of all her previous selves. Their shimmer reflects the light of the past and directs it toward the future.

Blue Gold is also water – the most precious resource of our time, increasingly endangered, restricted, depleted. Symbolically, it becomes a metaphor for the body and feminine creativity – fluid, alive, yet vulnerable to exhaustion, drying out, and marginalization. And at the center of it all – an absolutely fantastic dancer who, instead of disappearing from the stage, returns to it with even greater strength. With a maturity that doesn’t exclude madness. With distance and humor as tools of healing. This is a solo about a woman who shines not because she’s perfect, but because she reflects the light of all her cracks. About strength born from doubt, and about a gentle, sensitive rebellion. About dance where ecstasy and exhaustion coexist – and about a beauty that arises when there’s no longer a need to choose between the two.